Leonardo dicaprio how old is he now

They're saying to themselves, "What happened? You used to love me? You just have to realize that when you're hot, you're hot, and when you're not, you're not. Marty's not afraid to sit there for days on end just to get a scene right. Most important, I trust him, which makes my job as an actor a lot easier. It was really very traumatic, and I don't say that about a film very often. I went to places and unearthed some things that I didn't think I was capable of.

It was like an emotional layer cake that just kept getting deeper and deeper. But there was a lot of rejection early on, and so it never felt like, Hey, I've got something here. There was always an element of me that needed to prove something to myself. It's something I don't want to get rid of, because it's what drives me. I'm never settled and I'm never satisfied. We have the ultimate trust in each other and the best of intentions for what we want to do.

I knew Kate before Sam Mendes [her husband] even met her. So on the outside, it may seem strange to do a sex scene with a woman while her husband is directing. But it didn't feel that way to me. When the scene was about to start, Kate said, in front of the crew, "Wait, wait, this is totally weird". She turned to both Sam and I and said, "Are you guys okay?

She said, "It's even weirder that you're both totally fine". People would always ask me, What are the differences between Spielberg and Scorsese?

All I could find myself talking about was the similarities. It's all part of that process of doing things that are daring to be accepted by your peers - and it's absolutely insane. You can enter a never-ending vapid hole trying to catch the next exciting moment without ever stopping to appreciate it. It can be a never-ending process of chasing something that isn't there. I went skydiving and my chutes didn't open. Two of them. I was the most insane child you can imagine, pretty intolerable to be around.

High-octane energy all the time, never wanting to focus on schoolwork. But my name wasn't me anymore. I was sort of this thing. Kate felt it, too. But a lot of the attention was on me because of the teenage girls who repeatedly went to see the movie. I had the blond hair, and I was Jack Dawson, this heroic figure. So I set up everything in my personal life to rebel against that image in order to strip it down. I had a lot of fun stripping it down. But ultimately, that knocked me a few rungs down the ladder.

Needless to say, when somebody felt a different way on the set of Titanic , there was a confrontation. Jim had it out with them right there in front of everybody. He lets you know exactly how he feels. But he's of the lineage of John Ford. He knows what he wants his film to be. I remember sitting in a theater after it was done and being in awe. He got what he wanted. Think of all those early great performances - My Own Private Idaho Stand by Me I always wanted to meet him.

One night, I was at this Halloween party, and he passed me. He was beyond pale - he looked white. Before I got a chance to say hello, he was gone, driving off to the Viper Room, where he fell over and died. That's a lesson. No, I have a production company that all stemmed from 10 years ago wanting to be able to develop my own material because I just wasn't finding things I got excited about. It all stemmed from Gangs of New York and searching that out and saying, "Well, if I was able to search this out and I got to be able to work with Martin Scorsese on this project, there has got to be other projects out there that maybe the studios aren't paying attention to.

A lot of actors draw in a certain audience, it's the truth. You put Brad Pitt or George Clooney or Johnny Depp or all these guys who are able to finance movies because of their name. With somebody else it wouldn't possibly get the same attention People who are able to bring in a certain audience deserve to get paid for that not just the studios. It took me back to the one time I really remembered my dreams because I usually don't.

But when I used a nicotine patch when I was trying to quit smoking, I did have bloodcurdling nightmares of mass murders, and I woke up in the middle of the night and had to take the patches off. I guess I had moments like that in the film.

Ooh, I know that's controversial, isn't it? I sometimes go on a vacation, too. I take what I do very seriously, and when I'm on the set that's all I focus on, so my vice is to hang out with my friends and talk about absolutely nothing of importance whatsoever and act like a complete idiot because I've got to filter out a lot of the serious stuff I'm dealing with all the time.

It's like therapy to just be a complete idiot with my friends and it's fantastic. There were a couple of weeks when I was in a hole and it was the deepest I've ever gone with a character, emotionally. He wrote the entire thing, and it all made sense to him. It didn't make much sense to us when we were doing it, and we had to do a ton of detective work to try to figure out what the movie was and what we were doing from day to day, but, thank God, we had somebody who knew what he was doing.

I have no idea and it's kind of a cool place to be. This year is going to be the year of really taking care of myself because I've reached 35 and I've taken a lot of things seriously, maybe too seriously at times, so I'm going to make sure that whatever I do next and whatever choices I make are really right for me.

And we'll see where that takes me. Condition-wise, there are a lot of hardships for the people that live in Mozambique, and there's a lot of situations going on with poverty and AIDS and unsanitary water.

You name it. But the most intriguing thing I found about shooting in Mozambique was the triumph and adaptability of the human spirit: People were still filled with so much joy. They were literally dancing in the streets every night.

It was an amazing thing to see. Being discreet in his private life has allowed him to be even more credible in different roles on the big screen. My interactions with them didn't have all the stigma behind it, not to mention there wasn't a perception of her talking to me for only one reason. I didn't care what anyone thought.

It was also about avoiding the tornado of chaos, of potential downfall. My two main competitors in the beginning, the blond-haired kids I went to audition with, one hung himself and the other died of a heroin overdose I was never into drugs at all.

There aren't stories of me in a pool of my own vomit in a hotel room on the Hollywood Strip. I just felt like doing a movie is doing a movie.

I get money and fame, and that's great, and I can act and have fun. And I was up for a movie called Hocus Pocus with Bette Midler , and I knew it was awful, but it was just like, "Okay, they're offering me more and more money.

Isn't that what you do? You do movies and you get more and more money. If I don't get that, I'll do Hocus Pocus. They were using the mustard-jar scene in the audition. De Niro was going up to the kids with this almost empty mustard jar and cramming it into their faces, really pushing the kids' buttons. The scene was being used to see if the kid could stand up to De Niro, and it was hard not to be overwhelmed. When he started bludgeoning me, I completely overcompensated.

He said, "Is this empty? Is this empty? I was supposed to be the victim, not the antagonizer, and there was complete silence. De Niro looks at me and goes, "Heh, heh, heh, heh, heh", in that way only De Niro can laugh.

That was goooood. I like that. A little over-the-top but good". My audition was supposed to go on, but they just stopped it. I'm buried. I'm done. Getting that part felt like winning the lottery. Sometimes you've got to go to the wrong place just to show that you're not afraid to go there. I've been to the Amazon and people with no clothes on - and I'm not exaggerating - know about that film. I've accepted it. When I can't immediately define the character and there's an element of mystery to it and still a lot to be explored, that's when I say yes.

I like those kinds of complicated characters. There are a lot of pitfalls to success, and one is not listening to criticism. One of the the most important things you can do is hear criticism of yourself and embrace it, whether it be - in my case - artistic or personal.

Gatsby's one of those iconic characters because he can be interpreted in so many ways: a hopeless romantic, a completely obsessed wacko or a dangerous gangster, clinging to wealth. I hated him. It was one of the most narcissistic, self-indulgent, racist, horrible characters I've ever read in my entire life. You learn, after you've been in the business for a while, that fame is empty and pointless. And the movies that are a hybrid of those two things - that have deep content in them and that also have some scope - will kind of dissolve away.

I see that happening more and more in the industry, it's either like: "This is a regurgitation of films you've seen a thousand times that work Or you can take a chance and do a really low budget, small movie and see how it turns out. We grew up watching his films and he's still making stuff that's punk rock. It's an amazing achievement. We got to see some of the most memorable films and performances of all time during that era and everything since then has always been a reversion and comparison back to those films.

Any one of my friends, whenever we talk about movies, we always reference something from the '70s. And to me, the greatest cinematic partnership maybe of all time, and certainly of that time period, was De Niro and Scorsese. In a lot of ways, they were a part of my upbringing and my childhood, as far as being a fan of cinema. So to get to work with him, being of completely different generations -- we just have a shared understanding that we're out there to do the same thing.

I think that's taken a while to truly understand on his part -- not a while but, I mean, it's been a culmination of more and more trust with one another. And, in a lot of ways, I think [ The Wolf of Wall Street ] is the result of being able to work with each other on our films before it.

We were not going to try to do something in a traditional sense in this film. We'd been given the opportunity to make a film that was going to hopefully be outrageous and daring and push the envelope a little bit. So it wasn't necessarily a dialogue about what type of movie we wanted to do after the experiences that we've had together. At this point, it was just about us reminding one another, with very specific character decisions or plot points.

But, just to backtrack a little, I understand his mentality, too. There is an interesting story behind why his parents named him this. He was only 24 years old in the movie. Before Titanic, he did a few mini and side roles in other few movies.

Leonardo is 1. Leo started his career at the age of 14 by doing a matchbox car advertisement. He was fascinated by the amount of money his cousin was earning just by doing commercials.

He did many other commercials such as of Kraft foods, bubble gum, etc. Titanic Jack Dawson. Show all Hide all Show by Hide Show Actor 61 credits.

The Black Hand pre-production Joe Petrosino. Randall Mindy. Senior Soldier uncredited. In Hollywood Rick Dalton. Edgar J. Edgar Hoover. Luke Brower credit only. Luke Brower. Show all 23 episodes. Garry Buckman. Show all 12 episodes. Darlene's Classmate uncredited. Young Mason Capwell. Kid Fighting Scout. Hide Show Producer 47 credits. Akira producer announced. Captain Planet producer announced. The Corporation producer announced. Atari producer pre-production. Hide Show Writer 2 credits. Hide Show Soundtrack 3 credits.

In Hollywood performer: "Green Door". Hide Show Thanks 12 credits. Edgar: A Complicated Man Video documentary short special thanks. Hide Show Self credits. It is the most urgent threat facing our entire species, and we need to work collectively together and stop procrastinating. We need to support leaders around the world who do not speak for the big polluters, but who speak for all of humanity, for the indigenous people of the world, for the billions and billions of underprivileged people out there who would be most affected by this.

Life can get pretty monotonous. Acting is like living multiple lives. It is incredibly eye-opening. Leonardo DiCaprio with Martin Scorsese. Personal Life. Did Not Attend [3] cheatsheet. DiCaprio was raised as a Catholic in California, but has no religion, although he has expressed an interest in Buddhism and says he is not an atheist. B Rh-negative [9] The Inquisitr. Vegan [10] Vanity Fair.